A look at movies, especially films based on books (Yes that includes comics); Opinions, facts, movie charts, production news and, when possible a look at the movies VS their source material. I may also champion books I've read that really should be movies. I've also used it to display the unedited versions of my blogs for SyFy; (The sci-fi channel UK website.)Feel free to let me know about any stories that you think deserve the big screen treatment.
TheRealEverton
Fans of Kick-Ass will already know tat this year’s sequel is
an adaptation of both the Kick –Ass 2 comic and the pretty cool Hit-Girl comic
as well. In that we find the toughest girl in the land struggling to adjust to
a “normal” life as just a plain old school girl. The trailer is another Red
Band one (not for kids) and everything that comes out for this film just makes
it seem better and better: unless you’re a Daily Mail reader of course.
Synopsis...
“Kick-Ass, Hit Girl and Red Mist return for the follow-up to
2010's irreverent global hit: Kick-Ass 2. After Kick-Ass' (Aaron Taylor-Johnson)
insane bravery inspires a new wave of self-made masked crusaders, led by the
badass Colonel Stars and Stripes (Jim Carrey), our hero joins them on patrol.
When these amateur superheroes are hunted down by Red Mist (Christopher
Mintz-Plasse)—reborn as The Mother F%&*^r—only the blade-wielding Hit Girl
(Chloë Grace Moretz) can prevent their annihilation.
When we last saw junior assassin Hit Girl and young vigilante
Kick-Ass, they were trying to live as normal teenagers Mindy and Dave. With
graduation looming and uncertain what to do, Dave decides to start the world's
first superhero team with Mindy. Unfortunately, when Mindy is busted for
sneaking out as Hit Girl, she's forced to retire—leaving her to navigate the
terrifying world of high-school mean girls on her own. With no one left to turn
to, Dave joins forces with Justice Forever, run by a born-again ex-mobster
named Colonel Stars and Stripes.
Just as they start to make a real difference on the streets,
the world's first super villain, The Mother F%&*^r, assembles his own evil
league and puts a plan in motion to make Kick-Ass and Hit Girl pay for what
they did to his dad. But there's only one problem with his scheme: If you mess
with one member of Justice Forever, you mess with them all“
Some people (by no means all) weren't so thrilled with The
Wolverine’s last solo film. But a better director (James Mangold – 3:10 to
Yuma), better source material (Frank Miller’s Wolverine) and better writer (Christopher
McQuarrie – The Usual Suspects, have given even those fans reason to hope.
Synopsis...
“Based on the celebrated comic book arc, this epic
action-adventure takes Wolverine (Hugh Jackman), the most iconic character of
the X-Men universe, to modern-day Japan. Out of his depth in an unknown world,
he will face a host of unexpected and deadly opponents in a life-or-death
battle that will leave him forever changed. Vulnerable for the first time and
pushed to his physical and emotional limits, he confronts not only lethal
samurai steel but also his inner struggle against his own immortality. Story by
Christopher McQuarrie.”
International trailer...
So does Logan get to find out that mortality isn't all it is
cracked up to be? Better yet, if his ability to heal diminishes, doesn't that
mean that he’ll have to learn to fight without his claws, or bleed buckets
every time he pops them out?
In the original Yahoo article Click to read there are 12 films listed. The information given on 8
(EIGHT) of them is incorrect, sometimes massively so. The article is a very
good idea by the way (Well done Ben Arnold of Yahoo UK), it is just poorly
researched. So I think I’ll take the unusual step of going through the list one
film at a time, to point out where the article is right and wrong, and give you
a clearer sense of how risky the film business is.
One area where Ben Arnold is definitely right is the
Hollywood trades and American media. They are far, far too quick (and gleeful
in my opinion) to cry Bomb or flop. Especially based on purely North American
takings in ONE weekend!
Is this really a more family friendly title?
Should have stuck with Killer!
The first thing to
note is the difference between the shooting budget (the one you always see) and
the total budget, which includes the P & A (Prints & Advertising)
costs. Next, that a flop usually refers to the Box office takings only; in
other words the money the film makes at the cinema. This is despite the fact
that films now make significantly more money from the likes of DVD &
Blu-Ray sales, TV money, rentals and digital sales. Finally To break even you have to NET as much
money, from box office, as its total costs. (Here Net isn't what is left after
all costs are accounted for, but what goes back o the studio after the cinemas keep their share of
the ticket price / Taxes etc.) Remember covering the shooting budget is not
enough. So saying a film ‘Wild, Wild West’ made $222m and therefore covered its
$170m costs is doubly wrong. Firstly because the total cost was $220m and
secondly because even if we were to say 50% of the gross goes back to the
studio, the net takings would be $111m, far short of the shooting budge
($170m), let alone the total budget ($222m). Remember, as much as the studios
would like them to, Cinemas don’t simply hand over 100% of the ticket money.
There are various scales, and it changes from region to region, but a good rule
of thumb is to say approx 45% f the reported gross goes back to the studio.
These are not always exact figures, you use whatever official totals are
provided and approximate net as stated above.
1.
Hansel & Gretel: Witch Hunters
(2013).
Shooting Budget $60m / Total budget $85m.
This is a curious one. Fantasy / fairy tale films tend to
make much more of their gross outside North America than in it. So why they
were so quick to jump on this film (and Jack The Giant Slayer) is a mystery.
You could almost expect a fantasy film (particularly one not set in America) to
make 2/3 of its total ‘internationally’, and not be surprised if the percentage
was even higher. That being the case Hansel & Gretel always seemed on
course to cover its shooting budget at least, and move into profit; and that is
exactly what happened. [The studios delayed this film from 2012 because they
hoped that The Avengers & The Bourne Legacy would significantly increase
Jeremy Renner’s box office profile. It looks like they were right.]
H & G has $205m and counting; 45% of that tally means
over $92m is already in the bank. With the film’s total budget a trim $85m, you
can see why the sequel they were ALWAYS planning is being rushed to the top of
the ‘to do’ pile.
Yahoo is correct, the film is getting a sequel; but then
it “always” was. More to the point, having just mentioned how the media are too
quick to call a film a flop based solely on the North American box office (and
just a few days of it at that) they then repeat that Jack The giant Slayer is a
Bomb. It isn't not yet. It may end up that way, but there is a long way to go
yet, as H & G proved.
“Then there was the 'Jack The Giant Slayer' factor, another
fairytale property which had bombed disastrously just a week or so before.”
2.
Hook (1991)
Shooting Budget $70m / Total Budget $????
This is a weird one; the film would actually have been OK if
it wasn't for the very thing that Ben uses to show how it didn't flop. Apart from a relatively (extremely relatively) low gross for a Spielberg juggernaut,
the film would actually have made a profit for the studio. However agreeing to
give Spielberg, Hoffman & Williams 40% of the gross meant that $120m of
the, roughly, $135m netted for the film went to the talent; leaving just about
$15m against an outlay of at least $90m. That’s at least a $75m loss!
Yahoo is both right & Wrong here. Technically it made
money at the box office so no flop, but the studio lost a ton so...
“Spielberg, and its stars Dustin Hoffman and Robin Williams,
took no salaries, instead going for a 40% share of the gross revenue. Dumb
move, right? Wrong. The 'rare Spielberg flop' made over $300 million (£198
million). Now that's a payday.”
Only for the talent Yahoo...
3.
Planet of the Apes (2001)
Shooting Budget $100m / Total Budget $150m
The story behind this film is pretty chaotic. Tim Burton
came on board with a script that was well regarded and big ideas. But then 20th
century Fox slashed the budget and changed the script. Tim Burton talked about
giving up the film business for good, and was keen to never work for Fox again.
The film’s open ending (which many disliked) both mirrored the ending of the
book, and was meant to allow whichever poor soul got stuck with the sequel,
something to work with. The combination of Burton’s rep, a popular book, and beloved
film series, and an interesting cast, meant the film did turn a profit at the
box office; with approx $163m against a total budget of $150m.
A $13m profit at the box office means Yahoo got this one
right, but it’s nowhere near as big a money spinner as they imply.
“...well over three times its production budget.”
4.
Knight & Day (2010)
Shooting Budget $117m / Total Budget $175m
A flop is a flop. You have to wonder what went wrong here; 7
– 10 years earlier and he combined star power of Diaz & Cruise would have
carried this film to at least $400m. Unfortunately for Fox the film ‘only’ grossed
$261.9m. That’s enough to break even on the shooting budget of $117m, with
approx $118m, but around $57m short of the actual break-even point.
Yahoo got this one very wrong, $57m is almost enough to
film Jack Reacher!
“But still, it managed to make $261 million (£173 million).
Not too shabby.”
Pretty shabby with those two starring and $57m down the
toilet.
5.
1941 (1979)
Shooting Budget $35m / Total Budget $??m
I remember liking this when I caught it one random Christmas
years ago. It’s hard to gauge because there’s no hint of what the P &A
spend was. Given the large (for the time) budget you’d expect it to be high
too. The film made approx $93m, so something like $42m went back to the studios
(it was a joint venture between Universal & Columbia). It seems unlikely
that it made any profit at the cinema Box Office (A P & S spend of > $7m
seems low, even for 1979) But with Video and Laser Disc about to take off, the
film should have ended up profitable in the end. OF course that still means it
was, all but definitely, a Box Office flop.
Yahoo is in error again, although it isn't clear by how
much.
“It made nearly $100 million (£66 million) from a $32 million
(£21 million) budget.”
Again giving the impression that Cinemas show films for the
studios free of charge, they really don’t.
6.
The Last Airbender (2010)
Shooting Budget $150m / Total Budget $200m
Alongside patrons booing his name during the trailer for
Devil, This abomination of an adaptation is the reason that you won’t see the
name M. Night Shyamalan on any of the current trailers or Posters for the
upcoming ‘After Earth’. Will & Jaden Smith, a pretty potent duo, are Shyamalan
last hope to regain any of the credibility or good will, he earned with
Unbreakable & The 6th Sense. Based on one of the best, and most beloved
Children’s stories of the century, the $319.7m it made is testament to the
popularity of the source material. Once again though, with a total cost of
$200m and an approx ‘net’ return of $143m, the film is another Box Office flop.
Yahoo once again states that the film actually did OK in
the end, it really didn’t.
“Yet somehow, box office numbers climbed up from there, and
continued to climb. It ended up making nearly $320 million (£211 million).”
About $130m less than it needed, and heaven knows how much
less than a good film adaptation of Avatar: The Last Airbender could have made.
7.
The Tourist (2010)
Shooting Budget $100m / Total Budget $140m
A remake of French film ‘Anthony Zimmer’ (2005) he Tourist
did do much worse than expected in North America. The international takings,
whilst still below expectations, were far better; $67m Vs. $210m international.
If the North American takings had been a little bit higher, then the film would
have broken even. That said, a $125m return, from a $140m spend, still means a
box office loss of $15m and a flop. I’ll
eat one of my hats if that shortfall wasn't made up in sales & rentals.
Yahoo, it is good to see some else reminding people, in
America especially, that this film was nowhere near the disaster they believe.
Unfortunately Yahoo is still wrong to say it was a Box Office success.
“It was a resounding success for the Columbia Pictures
accounts department, who counted box office takings of $278 million
(£183 million) on its $100 million (£66 million) budget.”
It so was not...
8.
Waterworld (1995)
Shooting Budget $175m / Total Budget $??M
This film was drenched in rumour and supposition, but the
$175m budget has been settled on; the P & A costs are not so easy to pin
down. That said it doesn't really matter. With a gross of $264m the film lost
money, even if they managed to distribute and advertise it for free! $119m went
back to the studio; so they were $56m down before you factor in any other
costs.
I can’t see how Yahoo ever thought this was within 1,000 light
years of success. This was a very big flop at the box office Yahoo.
“And sure, it was expensive (a rollicking $175 million - £115
million - back in 1995), and no one really liked it all that much. But it still
made $264 million (£174 million) at the worldwide box office. It wasn't a
king's ransom in profit, but flop is a bit harsh”
“Harsh”? Not at all...
9.
Wild Wild West (1999)
Shooting Budget $170m / Total Budget $220m
A Big Budget, Steampunk adaptation of the 1960s TV show.
Once again Yahoo has made an error in trying to reclassify the flop status.
“But as it managed to recoup its budget, making $222 million
(£147 million), it can't quite be branded a flop.”
It can because of the $222m gross only about $100m went back
to the studio, making a massive $120m loss at the box office: Proving once
again that no movie star, even the biggest star in the world, is a guarantee of
success.
Yahoo make’s the 2nd biggest error here, and
got their sums very wrong.
“But as it managed to recoup its budget, making $222 million
(£147 million), it can't quite be branded a flop. But it was dangerously,
perilously close.”
Yes, close to losing enough money to make I Am Legend and
exactly enough for I Robot.
10.
Pearl Harbour (2001)
Shooting Budget $140m / Total Budget $190m
This is a strange one. I don’t remember lot talk about the
film being a flop, because it made money at the box office. It also (partially
because of the horrific attacks of 9/11, with the similarities and the,
understandable, patriotic fever that followed) sold very well on DVD etc. in
North America. It was battered critically but the bottom line is that $449
gross = approx $202m back to the studio, so around $12m profit at the box
office.
On the one hand Yahoo is right, this was never a flop. But
on the other hand I really have trouble recalling anybody who said that it was
a flop in the first place(?) Awful? Yes. A money loser? Never.
11.
Superman Returns (2006)
Shooting Budget $209m - $270m / $310m - $370m
Getting the exact cost of Superman Returns isn’t as
straightforward as it may seem. The film did have between $63m + $70m from the Superman
films that never got made. Basically it never had a prayer of making money, but
it would have gotten a sequel if Bryan Singer hadn't decided to make Valkyrie
first; this gave WB time to scrap the whole thing and start again...again. The
popularity of Superman was seriously overrated and the assumption that just
having the character and John Williams score would yield Spider-Man level
grosses proved false.
So even we go to the lower end of the estimates Superman Returns
cost $310m to make and market. That is nowhere near covered by the $176m
returned to the studio. Flop with promise
On the plus side, Superman is again a character well known
around the world, giving ‘Man of Steel’ a shot at become Warner Bros owned a
hit from their mainstream DC comics, that doesn’t have a Guy dressed like a bat
in it.
Yahoo makes the biggest mistake here. At best this film
lost $134m, with mitigating circumstances.
“But despite all the odds, and all the talk saying that it
did, it didn't flop. It made $391 million (£258 million) worldwide, nearly $20
million more than 'Batman Begins'.”
This is just riddled with inaccuracies. IT did flop, spectacularly!
And it may have grossed $20m more, but it cost well over $100m more to make, so
that’s hardly a bragging right. Sorry Yahoo...
12.
Jack Reacher (2012)
Shooting Budget $60m / Total Budget $93m
Finally...
This one is a lack of up to date film business info. There
were some frankly ridiculous stories flying around the trades in January. I don’t
know if it was just a lack of actual film news or what; but floating the idea
that a $60m action-lite thriller (very low budget for a Tom Cruise ‘tentpole’)
was in danger of not becoming a ‘franchise’ (hate that word) was pretty asinine
really. Tom Cruise is still a big international star, so Jack Reacher was
always going to make the Lion’s share of its money internationally. But once
again we had people eager to find bad news and put the stink on a film that was
doing just fine. Subsequently the film has become Tom Cruise’s 19th film to
gross over $200m worldwide (a record I think); the writer / director, Christopher
McQuarrie, has been all but handed the keys to the next Mission Impossible
film; and early work on next film in the Jack Reacher series has began over a
month before this article was posted.
Financially it certainly isn't a flop as the profit to the
studio is currently around $4m, with the film still earning in some markets. It
has certainly done well enough to have potential for a much higher grossing
sequel. (Like The Bourne Identity; which, coincidentally cost $60m / $90m and
made $214m.) Especially if they don’t do
something daft like change the title from ‘One Shot’ to ‘Jack Reacher’! Oh, I
see...
Yahoo end on kind of a high note here; Jack Reacher is certainly
no flop.
“the whiff of flop was in the air. The returns were certainly
not in the region of Cruise's other big franchise – the 'Mission: Impossible'
series. But flop is a bit harsh. It made $216 million (£142 million) on a $60
million (£40 million) budget, which is fairly solid. But it's thought that
because it didn't breach the $250 million (£165 million) threshold needed for
the studio to consider a sequel, that Cruise may not play the renegade hardman
a second time.”
However forwarding schadenfreude laced news from 2 months
ago about the death of a new Franchise only works if you remain current enough
to know that one month ago, almost to the day, sequel news was put out. That
news was strengthened just a few days ago when it was reported that Jack Reacher,
Mission: Impossible 5 and The Man From
Uncle will be fighting for the actor’s attention.
So there you go. I hope this doesn't read as some kind of
nti-Yahoo, or anti Ben Arnold piece. I just see mistakes on their film site far
too often and decided to take a more compressive approach to being a pain in the
arse and pointing them out ;whilst giving my own readers (Yes all 5 them,
including dogs) something new to read.
Fans of the 2010 indie film and Mark Millar’s / Ken Romita
Junior’s comic books rejoice. Kick-Ass 2 is now only a matter of months away
and all indications are that Matthew Vaughan’s handpicked replacement, director
Jeff Wadlow, is doing a good job.
This film is based on both the Kick-Ass 2comic and its
prequel Hit-Girl. (Both of them are worthy follow ups to Kick-Ass), although I
again wonder if the film will take a slightly happier / dare I say tamer,
approach than the comics. That’s not a problem, Kick-Ass worked wonderfully well
as a comic, but the film’s happier slant suited that medium better. The same is
likely to be the case here.
Synopsis...
“Kick-Ass, Hit Girl and Red Mist return for the follow-up to
2010's irreverent global hit: Kick-Ass 2. After Kick-Ass' (Aaron
Taylor-Johnson) insane bravery inspires a new wave of self-made masked
crusaders, led by the badass Colonel Stars and Stripes (Jim Carrey), our hero
joins them on patrol. When these amateur superheroes are hunted down by Red
Mist (Christopher Mintz-Plasse)—reborn as The Mother F%&*^r—only the
blade-wielding Hit Girl (Chloë Grace Moretz) can prevent their annihilation.”
Those who have both seen Kick-Ass and read the original
comic, will be wondering how the film will move forward given the differences
between the two. Regardless the film is hoping to pull off an Austin Powers / Terminator
style jump in box office from the first film to the second. Whilst such an increase may be unlikely, I’ll
be very surprised if this film doesn't double the $97m the first film took in
at the box office.
